Family vacations are always something I look forward to, and every time I go on vacation these days\u00a0\u00a0I seem to struggle with a dilemma of whether to bring my mobile recording rig along for the trip or to leave all the gear at home and just focus on taking time out to recharge the batteries.<\/p>\n
Now, the reason I bring this up today is because I recently had to make this decision and it impacted one of my clients but probably not for the reason you\u2019d expect.<\/span><\/p>\n Some of my readers might find this tale instructional so I thought I\u2019d share it with you all in this blog post.<\/p>\n OK, so here I am on day one of my vacation, about an hour after my plane has landed in the Tropics and I switch on my phone to see an email from a client who had recently engaged me to narrate an e-Learning program.<\/p>\n It turns out that the narration has been undergoing a QA review over the last week and has come back to me with a couple of pick-ups that need to be voiced.<\/p>\n Not sure what I mean when I say a Pick-Up?<\/p>\n Don\u2019t worry, you\u2019re not alone \u2013 It\u2019s a generally accepted industry\u00a0\u00a0term for portions of the original script that may need to be re-recorded for some reason or for\u00a0\u00a0minor script changes that arise after\u00a0recording has been completed.<\/p>\n So here\u2019s where the problem arises and the story starts to get interesting \u2013 the changes need to be completed ASAP, which means it needs to be done whilst I\u2019m away.<\/p>\n Now, for the record, I DID actually bring my mobile rig along for the ride, so the problem isn\u2019t that I don\u2019t have a microphone handy, but rather that I can\u2019t recreate the same sound-dynamics as the original recording.<\/p>\n Huh? Sound dynamics?<\/p>\n Well, this means that anything I record while I\u2019m away, won\u2019t sound EXACTLY the same as the audio files I submitted originally.<\/p>\n Now this wouldn\u2019t\u00a0\u00a0be a problem if my hotel had a controlled recording environment like a studio booth, because the sound dynamics of the recording space would be consistent with the booth I used to record the original session.<\/p>\n What I mean here is that the reverberation of sound within the room would be treated to maintain minimum echo, plus the ambient background noise within the booth would be ultra low, resulting in a low-noise, low echo environment which allows for consistent voice over recordings, even across different locations.<\/p>\n As you\u2019d probably imagine however, my hotel doesn\u2019t have a dedicated recording booth so any pick-ups I attempt to record would most likely feature different background noise levels and most likely more pronounced room echo than my original files.<\/p>\n When you\u2019re recording a complete narration in one session, in one location, then you don\u2019t generally have to worry too much about changes in sound dynamics because they remain consistent.<\/p>\n When you record a single narration in different locations however, subtle differences between recordings really start to make a difference because multiple audio files need to be mixed in with one another to complete the project. The subtle differences that you didn\u2019t really notice the first time round are suddenly thrust into prominence and the two recordings sharply contrast each other.<\/p>\n For the corporate training community, this is most prominently an issue when portions of a training narration are recorded at the office, and portions are recorded at home by different trainers. When mixed together, the audio sounds inconsistent and disengaging, with your audience more focussed on the audio anomalies than the message you are trying to convey<\/p>\n There are techniques you can use to minimise the contrast, both in preparing your audio recording space, and in post-production (some of which I cover in my Voice Over for eLearning masterclass) but\u00a0\u00a0for the purposes of this blog, what I\u2019m going to suggest is that the simplest thing to do is record all sessions in the same recording space to minimise any differences in sound dynamics.<\/p>\n Maintain a controlled space for recording your training narrations and use the space consistently for all sessions including pick-ups.\u00a0\u00a0Even if it\u2019s not a sound-proof recording booth, the fact that it\u2019s a treated space that minimises echo and is used consistently for all recording\u00a0\u00a0will greatly be appreciated by your target audience.<\/p>\n Have you ever recorded different sections of the same script in different locations? How did it work out for you? Let me know in the comments below.<\/p>\n Speak Up. Be Heard<\/p>\n Con<\/p>\n","protected":false},"excerpt":{"rendered":" Family vacations are always something I look forward to, and every time I go on vacation these days\u00a0\u00a0I seem to struggle with a dilemma of whether to bring my mobile recording rig along for the trip or to leave all the gear at home and just focus on taking time out to recharge the batteries. 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